Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Here are all the paintings of Jacob van Ruisdael 02

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
10232 View of Haarlem with Bleaching Jacob van Ruisdael View of Haarlem with Bleaching Grounds c 1665 Oil on canvas, 62,2 x 55,2 cm Kunsthaus, Zurich
50068 View of Haarlem with Bleaching Grounds Jacob van Ruisdael View of Haarlem with Bleaching Grounds mk207 Signed,lower left about 1670-75 Canvas 62.2x55.2cm
50117 View of Haarlem with Bleaching Grounds Jacob van Ruisdael View of Haarlem with Bleaching Grounds mk207 Signed early 1670s canvas 55.5x62cm
50121 View of Het Lj on a Stormy Day Jacob van Ruisdael View of Het Lj on a Stormy Day mk207 65.8x82.7cm
50122 View of het lj on a stormy Day Jacob van Ruisdael View of het lj on a stormy Day mk207 65.8x82.7cm
50097 View of Naarden Jacob van Ruisdael View of Naarden mk207 Signed and dated 1647 34.8x67cm
50118 View of the Dunes near Bl oemendaal with Bleaching Fields Jacob van Ruisdael View of the Dunes near Bl oemendaal with Bleaching Fields mk207 Signed Canvas 52x65.2cm
50114 View of the Ruins of Huis ter Kleef and Haarlem Jacob van Ruisdael View of the Ruins of Huis ter Kleef and Haarlem mk207 Signed second half of the 1670s canvas 40x40cm
10234 Village at Winter at Moonlight Jacob van Ruisdael Village at Winter at Moonlight Oil on canvas 36 x 32 cm Staatsgalerie, Schleissheim
50111 Village in Winter Jacob van Ruisdael Village in Winter mk207 Signed about 1665 Canvas 36.7x32.5cm
10239 Waterfall by Church Jacob van Ruisdael Waterfall by Church 1667Oil on canvas 109 x 131,5 cm Wallraf-Richartz Museum, Cologne
50082 Waterfall in a Hilly Wooded Landscape Jacob van Ruisdael Waterfall in a Hilly Wooded Landscape mk207 Signed About 1660 Canvas 105.5x123.4cm
50089 Waterfall in a Mountainous Landscape with a Ruined castle Jacob van Ruisdael Waterfall in a Mountainous Landscape with a Ruined castle mk207 Signed About 1665-70 Canvas 119x180cm
10240 Waterfall in a Rocky Landscape Jacob van Ruisdael Waterfall in a Rocky Landscape 1660Oil on canvas 98,5 x 85 cm National Gallery, London
50091 Waterfall near oan Oak wood Jacob van Ruisdael Waterfall near oan Oak wood mk207 Signed Late 1660s Canvas 142x195cm
50079 Waterfall with a Half-timbered House and Castle Jacob van Ruisdael Waterfall with a Half-timbered House and Castle mk207 Signed on a rock lower right About 166.5 canvas 99.7x86.3cm
10237 Waterfall with Castle  Built on the Rock Jacob van Ruisdael Waterfall with Castle Built on the Rock 1665Oil on canvas, 100 x 86 cm Herzog Anton Ulrich-Museum, Braunschweig
10242 Wheat Fields Jacob van Ruisdael Wheat Fields 1670 Oil on canvas, 100 x 130,2 cm Metropolitan Museum of Art, New York
50109 Windmill at Wijk bij Duurstede Jacob van Ruisdael Windmill at Wijk bij Duurstede mk207 Signed About 1670 Canvas 83x101cm
24176 Windmill by a Stream (mk25) Jacob van Ruisdael Windmill by a Stream (mk25) c 1646
10244 Winter Landscape Jacob van Ruisdael Winter Landscape 1670 Oil on canvas 42 x 49,7 cm Rijksmuseum, Amsterdam
50075 Winter Landscape Jacob van Ruisdael Winter Landscape mk207 Signed,lower right Late 1660s Canvas 5.2x68.6cm
50112 Winter Landscape with a Lamp-post and and a Distant view of Haarlem Jacob van Ruisdael Winter Landscape with a Lamp-post and and a Distant view of Haarlem mk207 1670s Canvas 37x32cm
50113 Winter landscape with two windmill Jacob van Ruisdael Winter landscape with two windmill mk207 Signed about 1675-80 Canvas 38x42.5cm
50090 Wooded river bank Jacob van Ruisdael Wooded river bank mk207 Monogrammed 1650s Panel 26.4x35.5cm

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Jacob van Ruisdael
Dutch Baroque Era Painter, ca.1628-1682 Ruysdael's favorite subjects are simple woodland scenes, similar to those of Everdingen and Hobbema. He is especially noted as a painter of trees, and his rendering of foliage, particularly of oak leaf age, is characterized by the greatest spirit and precision. His views of distant cities, such as that of Haarlem in the possession of the marquess of Bute, and that of Katwijk in the Glasgow Corporation Galleries, clearly indicate the influence of Rembrandt. He frequently painted coast-scenes and sea-pieces, but it is in his rendering of lonely forest glades that we find him at his best. The subjects of certain of his mountain scenes seem to be taken from Norway, and have led to the supposition that he had traveled in that country. We have, however, no record of such a journey, and the works in question are probably merely adaptations from the landscapes of Van Everdingen, whose manner he copied at one period. Only a single architectural subject from his brush is known--an admirable interior of the New Church, Amsterdam. The prevailing hue of his landscapes is a full rich green, which, however, has darkened with time, while a clear grey tone is characteristic of his seapieces. The art of Ruysdael, while it shows little of the scientific knowledge of later landscapists, is sensitive and poetic in sentiment, and direct and skillful in technique. Figures are sparingly introduced into his compositions, and such as occur are believed to be from the pencils of Adriaen van de Velde, Philip Wouwerman, and Jan Lingelbach. Unlike the other great Dutch landscape painters, Ruysdael did not aim at a pictorial record of particular scenes, but he carefully thought out and arranged his compositions, introducing into them an infinite variety of subtle contrasts in the formation of the clouds, the plants and tree forms, and the play of light. He particularly excelled in the painting of cloudscapes which are spanned dome-like over the landscape, and determine the light and shade of the objects. Goethe lauded him as a poet among painters, and his work shows some of the sensibilities the Romantics would later celebrate.
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